Farid al-Atrash Wikipedia Biography:
Farid al-Atrash, also written Farid El-Atrache, was a Syrian-Egyptian composer, singer, virtuoso oud player, and actor. Having immigrated to Egypt at the age of only nine years old with his mother and siblings, he studied there under numerous respected musicians. Wikipedia
- Born: October 19, 1910, Al Qrayya, Syria
- Died: December 26, 1974, Beirut, Lebanon
- Full name: Farid Fahd Farhan Ismail Al-Atrash
- Siblings: Asmahan, Fou’ad Al-Atrash, Mouneer Al-Atrash,
Happy bday to Syrian-born Egyptian composer, singer, instrumentalist, actor, & film producer Farid al-Atrash!
— Google Doodles (@GoogleDoodles) October 19, 2020
Farid al-Atrash Age
Farid al-Atrash Died at the age of 64
Who was Farid al-Atrash Wikipedia
Farid al-Atrash was a Syrian-Egyptian composer, singer, virtuoso oud player, and actor. Having immigrated to Egypt at the age of only nine years old with his mother and siblings, he studied there under numerous respected musicians. Al-Atrash embarked on a highly successful career spanning more than four decades—recording 500 songs and starring in 31 movies. Sometimes referred to as “King of the Oud”, he is one of the most important figures of 20th century Arab music.
Al-Atrash was born in Al-Qurayya, in southern Syria to the Druze princely al-Atrash family who fought the French colonial army. His father was Syrian and his mother was Lebanese.
As a young child, al-Atrash emigrated with his mother and siblings to Egypt, escaping the French occupation. Later, they were naturalized by the Egyptian government as citizens. Farid’s mother sang and played the Oud, which spurred his musical interest at an early age.
As a child and young adult, al-Atrash sang within school events. He studied at Egypt’s music conservatory and became an apprentice of the renowned Egyptian composer Riad Al Sunbati. In the 1930s, al-Atrash began his professional singing career by working for privately owned Egyptian radio stations. Eventually, he was hired as an oud player for the national radio station and later as a singer. His sister, Asmahan, was also a talented singer, and for a while they worked together. In 1941, they starred in their first successful movie Intisar a l-Shabab.
Farid al-Atrash career
Al-Atrash had a long and colorful music career lasting four decades. He composed musically diverse songs, and was a highly regarded composer, singer and instrumentalist. Al-Atrash maintained that although some of his music had western musical influence, he always stayed true to Arab music principles. Although the majority of his compositions were romantic love songs, he also composed several patriotic and religious songs.
One of al-Atrash’s most unusual and distinguishable traits was his voice. High and mellow at the start of his career, it evolved into a wider, deeper sound. A person not familiar with his work would find it hard to believe the singer in “Ya Reitni Tir” (1930s) and “Adnaytani Bil Hajr” (1960s) were the same singer. His singing style was deeply passionate.
In many of his songs, and nearly all of his concerts, al-Atrash would sing a mawal, which is a local folk Egyptian slow voice improvisation of a few poetic lines. These improvisations sometimes lasted up to 15 minutes. The mawal was a favorite of his fans. Some of the most famous songs include “Rabeeh” (Spring), “Awal Hamsa” (first whisper), “Hekayat Gharami” (story of my love), “Albi Wa Moftaho” (my heart and its key), “Gamil Gamal”, “Wayak”, “Ya Zahratan Fi Khayali” (يا زهرة في خيالي – “Flower of my imagination), “Bisat Ir Rih” (flying carpet), “Ya Gamil Ya Gamil”, “Ya Habaybi Ya Ghaybeen”, “Eish Anta”, and “sa3a bi 2orb el habib” (an hour in company of the beloved)
Al-Atrash starred in 31 Egyptian musical films from 1941 to 1974. His last movie, Nagham Fi Hayati (نغم في حياتي, Songs in my life) was released after his death. All his films except the last two were black and white. They ranged from comedies to dramas, or a combination. He composed all the songs in his movies including the songs sung by other singers, and instrumentals (usually belly dance routines). His earlier films would include approximately ten songs, but overall the films would average about five songs each. Some of al-Atrash’s well-known movies include Intisar al-Shabab (انتصار الشباب – The Triumph of Youth, 1941), Yom Bila Ghad, Ahd el-Hawa, and Lahn al-Kholoud (لحن الخلود – “Eternal Tune”, 1952)
Quick success brought the young man a lifestyle of nightclubs, love affairs, and gambling. Soon Farid was in debt and found himself abandoned by his disapproving mother. During this difficult period of his life, he also endured the death of his sister and fellow performer Asmahan. Farid found comfort in a relationship with the belly-dancer Samia Gamal, for whom he was motivated to risk all he owned. In 1947 he produced and co-starred in a movie with Samia directed by Henri Barakat; Habib al-‘Oumr (“The love of my life,” 1947), which became a huge success. After this came Afrita Hanem (“Madame la diablesse,” 1949). Five films later, the unmarried couple broke up. Farid continued to work with other film stars in numerous successful movies in which he always had the romantic lead role of a sad singer. He even repeatedly chose his character’s name to be “Wahid,” meaning lonely.
Al-Atrash refused to get married, claiming that marriage kills art. In his films, the audience remembered his leading ladies and his beautiful songs more than the story lines.
Prior to the 1952 military coup d’état against King Farouk I, al-Atrash became friends with Farouk’s consort, Queen Nariman, a relationship that continued after the Queen’s divorce and the coup that cost Farouk his throne. The former queen’s family did not accept al-Atrash, and the separation from Nariman sent the singer into a long depression, the start of health problems that worsened from that point on until his death.
As al-Atrash became older, he reconsidered his opinion of marriage and proposed to Egyptian singer named Shadia, but at the last minute he backed out. By now his health was poor, and he feared that he would leave her a young widow. He often played out that scenario and sang about it in his romance movies. He was also engaged to marry Salwa al-Qudsi at the end of his life.
Others stated: “He remained a bachelor throughout his life” but he possibly had a brief ‘urfi marriage. and another Moroccan-born singer Maya Casabianca called him the “love of her life” (though they didn’t marry). He characterized himself in a fairly idealized version of a modern artist. “Tales of his love affairs were wildly popular during his lifetime and were seemingly merged with the lyrics of his love songs.” (Zuhur in Ouzgane 2003)
Death & Cause
Al-Atrash suffered from heart problems throughout his last 30 years. In the last few years of his life, he became physically thinner, and his singing voice became raspy as he is intensified. Although he was struggling with his health, he continued to produce movies and perform in concerts until he died.
On Monday December 24, 1974 the doctors told al-Atrash that after two days he could go home. This was because they noticed that Farid did not like the hospital, or the drugs and the food that the hospital provided for him. On December 26, 1974, al-Atrash died in Beirut, Lebanon at Al Hayek hospital, shortly after arriving from London. Al-Atrash is buried in Cairo, Egypt alongside his sister and brother.
Over his lifetime, al-Atrash starred in 31 movies and recorded approximately 350 songs. He composed songs for top Arab singers, foremost his own sister, Asmahan, as well as Wadih El-Safi, Shadia, Warda, and Sabah. He is widely considered to be one of the four ‘greats’ of Egyptian and Arabic music, along with Abdel Halim Hafez, Mohammed Abdel Wahab and Oum Kalthoum. Notable Egyptian instrumental guitarist Omar Khorshid covered Farid al-Atrash’s songs in a tribute album.
On October 19, 2020, Google celebrated his 110th birthday with a Google Doodle.[1